tanton Williams’ aim was to transform the introverted image of the former Musée des Beaux-Arts into a vibrant, democratic and welcoming contemporary space that is open to the city and its people. The design adds a contemporary layer to the historical buildings, with two new buildings – the ‘Cube’ extension for contemporary art and an archive facility with a public library. A new basement underneath the Palais has been created to house an auditorium, educational spaces and additional exhibition spaces. A fully integrated landscape design has also been implemented around the museum, with a new sculpture garden located within the urban block.
In response to an all-encompassing brief, Stanton Williams worked with the museum to design the exhibitions within the galleries and also collaborated with Cartlidge Levene to create a new overall visual identity for the new Musée d’arts de Nantes. This has contributed to the formulation of a clear visual identity, which unites the museum’s exterior and interior, and creates a holistic museum experience.
Patrick Richard, Director at Stanton Williams – leading the project – says: “We are grateful to the city of Nantes for entrusting us to transform and extend the city’s Museum of Art, design the exhibition spaces for their exceptional and valuable art collections and create galleries for temporary art installations. The new museum has been conceived around the collections themselves, creating an intimate dialogue between art and architecture that firmly embeds the new museum within the distinctive historical setting of the city.”
As part of the inaugural exhibition programme at the new Musée d’arts de Nantes, Stanton Williams has curated an exhibition that details the processes involved in designing a significant public museum.
Located in the Salle Blanche, ‘L’epopée d’un Project, 2009-2017’ will run for six months from the official opening. The exhibition allows visitors to immerse themselves in the project by covering the entire six-year period of planning and construction through the display of development models from the competition stage, to information about the methodologies and museography involved. The exhibition will also include previously unseen photographs of the construction process, which reveal the complex aspects of the transformation.
Two films will feature in the exhibition; the first documents the entire design process behind the new museum and will include sketches, drawings and model-making; the second film, by Studio Cullen Williams, will use the method of time-lapse film to capture the journey of light as it travels through the museum, galleries and translucent marble facade.
On the occasion of the opening, French publisher, Archibooks, will launch a dedicated monograph on Stanton Williams’ transformation as part of its new series: L’esprit du Lieu. The book introduces the many facets of the building for the first time. In extensive texts, Stanton Williams, the Mayor of Nantes, Johanna Rolland, the Director of the Musée d’arts de Nantes, Sophie Lévy, and consultants Max Fordham and Artelia will describe the concept as well as the content-related and artistic aspects of this new museum. Archival imagery and numerous illustrations complete this overview.
